Where is the other half of this film? A critical look at the film reviews of “Silvered Water: Syria Self-Portrait”

Where is the other half of this film? A critical look at the film reviews of “Silvered Water: Syria Self-Portrait”
Syria Solidarity Movement

May 23, 2014, Lilly Martin, Op-Ed News A film about the war in Syria has been shown at the Cannes Film Festival. It was received with a standing ovation for the woman who shot the film in Homs, and the director who developed the film in Paris. Ossama Mohammed and Wiam Simav Bedirxan teamed up…

Excerpt:
I will just give you just two examples of what the rebels have done to my own neighbors. On the night of August 13, 2013, in the village of Ballouta, they entered the homes of sleeping civilians. There was no Syrian regime or Syrian Army presence in the village whatsoever. This was a purely civilian rural location near the border with Turkey, and near Latakia. The terrorists went from house to house killing whole families. Men, women and children were slaughtered. There were no bombs, no cross fire, no battle. The rebels, who are opposed to the regime of President Assad, cut the pregnant belly open of one woman and hung the fetus in the trees by the umbilical cord. There were survivors, who ran and hid in the forests and were eventually taken to shelter at a school in Latakia, where their stories began to be told as eye witnesses to a massacre and war crime. Some survived the massacre, but were kidnapped. These kidnapped people numbered about 100 and were composed of a few adult females, some teenagers, and the rest were very small children. Recently, in Latakia about half of those kidnapped were released in a deal worked out that also included rebels in Homs. The kidnap victims who were released told of being kept nine months in Selma, under the ground, without light. They told of torture and suffering, including the eyes of one small child being gouged out by the rebels and one small boy being shot through the head for no reason except for the pleasure of killing. Still, there are about 50 kidnap victims being held by this same rebel group, who claim they are fighting the regime of Bashar al Assad. How do kidnapping, killing, and torture of small children fit into the heroic freedom-fighter image?

Original Article: http://www.syriasolidaritymovement.org/2014/05/25/where-is-the-other-half-of-this-film-a-critical-look-at-the-film-reviews-of-silvered-water-syria-self-portrait/

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